I have not touched my acrylic paints in nearly two years. After I moved to a new city, they spent a year in storage. As we had opted to get an apartment for a year while we got a better feel for the area. I am a sloppy painter. A messy process, to begin with, but I somehow end up with paint on my elbows and in my hair when I paint on canvas. I don’t know how some people can just wear an apron and walk away with their clothing intact. So it seemed wise to put my paints in storage rather than attempt to use them in a carpeted apartment, the security deposit for which I wanted back. Add to that, a hectic year made worse by COVID-19, which increased my workload exponentially, and my paints sat in their boxes for almost two years.
Last month I took them out of their boxes and was pleasantly surprised to find all but two tubes in excellent shape. I was, however, not feeling all that confident and decided to dip my toes in the water with an ArtSherpa paint along with a tutorial on YouTube. Now I have mentioned Cinnamon Cooney before on this blog. I appreciated her positivity and grounded approach. I think she is an excellent resource for an amateur like myself that just wants to have some fun and paint something pretty. What sets her apart from the paint and sip type tutorials you may be familiar with is that she is a dedicated educator, and you will learn techniques and terms from her.
I landed on this tutorial of a Camp Fire Scene in Arcadia National Park. Which set me off on a bit of an after-work obsession for the last month of dreamy night skies.
My version swapped the man out for a woman as I imagined myself in this magical place. While I do enjoy it when other people appreciate my work. I really paint for myself, and it gave me a sense of peace to insert myself into this scenario.
I really enjoy the skies, and I often paint them in watercolor. But, I found this so relaxing I started doing more after work. They are not masterpieces, but the process of making them made me feel better after several tough and long workdays. I ended up switching to sponges for the Milky Way, which worked better for me. I found it easier to blend and get a more luminous effect.
I would walk away from my easel with a perspective on life that was more about wonder than feeling bleak. I guess that is the best you can really get out of any hobby.
I also love Aurora images and wanted to capture that dreamy magic.
I settled on calling these Dreamscapes—a landscape of imaginary night full of calm, shadow, light, and color. The idea for these was that after walking through the dark forest, one comes upon a lake or clearing illuminated by starlight and offers a good view of the sky through the trees.
I tried mixing time on the left, Aurora, MilkyWay, and sunrise On one landscape. To give the image a dreamy quality of merging three spaces in time into one. I wanted the image of the wolf to feel like an exciting surprise for the viewer after a long walk.
I hope to make a few more before I switch to ink for Inktober next month.
Happy Art Journey,